قراءة للغموض في الشعر المعاصر (قصيدة «رسائل إلى الإمام الشافعي» لعبد الوهاب البياتي أنموذجا)
خوانشی بر ابهام در شعر معاصر )با تکیه بر قصیدهی «رسائل الی الامام الشافعی» اثر عبدالوهاب البیاتی
DOI:
https://doi.org/10.36586/jcl.2.2023.0.48.0236الكلمات المفتاحية:
الغموض الفني ، البياتي ، تعدد المعاني، الإمام الشافعيالملخص
الشعر باعتباره أحد فروع الفن يتبع القواعد العامة لجماليات الفن، والغموض هو أحد عناصرها الأساسية وهو عامل جاذبية ومعيار جمالي في نقد الشعر. بهذا المعنى يُفهم الغموض على أنه ظاهرة تثير أنواعا معينة من القراءات والفهم في النص. عدم اليقين وتعدد الدلالات وانفتاح المعنى هي من أبرز خصائص النص الأدبي الغامض. في هذا البحث وبعد دراسة تاريخ ومفهوم ووظيفة الغموض في الشعر العربي المعاصر، قمنا بتحليل هذه الظاهرة في قصيدة "رسائل الإمام الشافعي" لعبد الوهاب البياتي. من نتائج البحث الذي تم إجراؤه بطريقة تحليلية وصفية، تبين أن الغموض الفني هو سمة بارزة للأعمال الشعرية الأصيلة لكن أية محاولة لتحديدها أو تنظيمها أمر صعب أو مستحيل لأن القراءات المتعددة لنص غامض لا تؤدي بالضرورة إلى فهم كامل ودقيق، بل يتأثر ذوقنا بمجالات وعينا وتصوراتنا الذهنية. كما وجدنا في شعر البياتي مستوى من الغموض الفني الذي ظهر في سياق تقنيات التعبير الحديثة مثل الرمز والقناع والأسطورة والتناص و عبر تعميق التجربة الشعرية جعل أسلوبه الشعري خالدا ومؤثرا في ساحة الشعر الحديث.
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